DAVID TOMAS

• BIOGRAPHY

• QUICK ACCESS INDEX

• RECENT PROJECTS

• Auction Works
• Projections
• Lot 94 (2018)
• Lot 136 (2017)
• Lots 15 & 21 (2015-2016)
• Lot 94 (Hors-Série, 2015)
• Lot 94 (New Eldorado, 2015)
• Lot 94 (2015)
• Study for This is Tomorrow II (2014)
• This is Tomorrow (2014)
• Postcards (2013- )
• Consigned for Auction - Part I (2013)
• Consigned for Auction - Part II (2013-2014)
• Remote Exhibitions (2010- )
• Invisible Exhibitions (2010- )
• Retrospective Exhibitions (2010- )

• EDITIONS
• Editions (2003-2012)

• PROJECTIONS
• Lots 15 & 21 (2016)
• Lots 93 & 94 (2013-2016)
• Lot 94 (2013-2016)
• Lot 93 (2013-2016)
• Lots 161, 51 (2015)
• Lot 161 (2015)
• Lot 51 II (2015)
• Lot 51 I (2015)
• No Lot (2015)
• Withdrawn (2015)
• Tony Conrad, Making Worlds, 53rd Venice Biennale (2009)
• Of Dolls and Automatons (2009-2010)
• An Imperfect History of Cinema (2008-2009)
• Black Maria (2008-2009)
• Stereovision (2007-2008)
• Probe (2006-2007)
• Portage (2004-2007)
• Empire (2004-2005)
• End of the line (2001)
• Untitled (1997-1999)
• Shoran (1995-1999)

• Installations
• The Proposal (2018)
• Lot 94 (2018)
• Anthropophagia II (2014)
• Not here, Not There (2001)
• Time Transfixed III (1992-1994)
• Utopias (1988)
• Offworlds (1986)
• Through the Eye (1986)
• The Photographer (1985)
• Experimental Photographic Structure II (1981)
• Experimental Photographic Structure (1980)

• PERFORMED INSTALLATIONS
• Incubator (1998)
• This is What You Want, This is What You Get (1992)
• Behind the Eye Lies the Hand of William Henry Fox Talbot (1984)
• Photography: A Word (1983)
• Experimental Photographic Structure III (1982)

• Objects
• Wittgenstein House Maquette (2009-2010)
• Maquette for Red Chair (2006)
• Reflexions (2005-2006)
• Red Chair (2005)
• Beckett's Eye (2001)

• AUTOMATIC POWERPOINTS
• Matrix for Yellow Light (2005)
• Matrix for Yellow Light (2004-2005)

• Drawings / Photodigital works
• Untitled (2004)
• Untitled (2004)
• Untitled (2004)
• Untitled (2004)
• Untitled (2004)
• Untitled (2004)
• Untitled (2004)
• At the Moment of Contact the Image is Split (2001)
• Preparing for the Rebirth of Charles Babbage's Brain (2000)
• Planing the Future: Five contact sites (1999)
• Untitled (1997)
• Untitled (1997)
• Initial Contact, Project X, Human Genome Diversity Project (1995)
• Untitled (1995)
• Residuum (1994)
• How the Hang Upside Down from Someone Else's DNA (1993)

• MISCELLANEOUS WALLWORKS
• 100 X Handpicked (2017)
• Fig 1 (2016-2017)
• Untitled (2016-2017)
• Malevich and the American Legacy (2011-2013)
• One and Three Spaces (2011-2013)
• Untitled (Study for Live rightly, die, die…) (2012), I & II
• Untitled (Study for Apocalyse Now) (2012)
• Sony (2003-2006)
• Study for Empire (2004-2005)

• POSTER PROJECTS
• Nous Sommes le Pouvoir (2018)
• This is Tomorrow (2017)

• AUDIO WORKS
• Lot 139, Allan Kaprow, 2013
• This is What You Want, This is What You Get (1992)
• Rum and Coca-Cola (1991)
• Don't Let the Stars Get in Your Eyes (1987)
• Notes Towards a Photographic Practice (1983)

• CURATORIAL PROJECTS
• The Proposal (2018)
• Millet Matrix IV (2016-2017)
• Consigned for Auction (2013)
• Live rightly, die, die (2012)
• Millet Matrix III (2013)
• Millet Matrix II (2012)
• Millet Matrix I (2010)
• Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)

• PDF
• Publication Document File

• PUBLICATIONS
• Zapantera Negra (2017)
• Vertov, Snow, Farocki : Machine Vision and the Posthuman (2013/2015)
• Consigned for Auction (2013)
• Live rightly, die, die (2012)
• Escape Velocity (2012)
• Editions (2003-2012)
• Millet Matrix Project (2010-2014)
• Tim Clark. Reading the Limits: Works/Oeuvres 1975-2003 (2008)
• Matrix for Yellow Light Series (2004-2005)
• Beyond the Image Machine: A History of Visual Technologies (2004)
• A Blinding Flash of Light: Photography Between Disciplines and Media (2004)
• DUCTION [with Michèle Thériault] (2001)
• The Encoded Eye, the Archive, and its Engine House (1998-2000)
• Transcultural Space and Transcultural Beings (1996)

• CURRICULUM VITAE
• CONTACT

Lot 94 (2015)

> An Economy of Discursive Fields: Lot 94, La Mirage, and POPPOSITIONS 2015 - Pdf
> POPPOSITIONS - Pdf

Photo credits: Philippe Hamelin